For the full article in Arts & Activities Magazine, please click here for the Stepping Stones column.
A few months ago, I was interviewed by Deep Space Sparkle’s Patty Palmer on ways to manage teaching art from a cart. I was asked what the most challenging projects were when teaching in a mobile situation, and I admitted it was printmaking. Depending on my classes, I had some amazing projects printed, as well as classes I wished I could have started over again. As much as I struggled remembering all the brayers, cutters, inks, and paper, I felt it was an important concept that students needed to learn within my classes.
Printmaking is an important part of our culture and we use
objects created from the process every day.
After all, if it wasn’t for Johannes Gutenburg, we would not have
newspapers, books, magazines, and art prints without the invention of his
printing press in 1440!
If you are starting to take on printmaking in your classroom,
I have a few tips that may help you out. I admit I was afraid to work with
printmaking materials my first few years of teaching! I finally jumped in and learned many ways to
plan ahead for printmaking in any teaching situation you’re working in. My
first bit of advice is to have a feel for your students.
Know your students
before planning the objectives of the lesson. If you have a high energy batch of kids, get
a feel for what you think they can handle.
For example, if you plan on doing a simple ink print lesson with an
upper elementary class, decide if they can handle easy-cut rubber blocks or
styrofoam sheets. I’ve learned the hard
way that if you give them an objective that is too advanced, most likely your
students will miss the concept. I’ve had
a few classes totally rock a 2-color print, and quite a few that
struggled. Knowing what your students
can handle will help them make the connections and grow into their work.
Make sure you have
all your materials! I recommend
doing a checklist of all the materials you need and plan for extra. With the block print projects, I always check
to make sure I have the brayers, plates, ink, cutters, blocks, paper, and all
the extra materials needed for my entire grade level. Gelli prints also need a number of materials
to set up! Are you working with gyotaku
fish prints? Make sure you have enough
fish molds to print with your students!
Make sure you’re
prepared for the set up and clean up.
No matter what printmaking project you create, be prepared for the
beginning and the end. When I did
printmaking on the cart, I had materials set up in baskets that were dispersed
through the students. For clean up, I
allotted a few extra minutes to get the classroom spotless before I pushed the
cart out of the room.
Know your water
source. When there’s printmaking, you will need your water source no matter
what your teaching situation is. If
you’re on the cart, locate the closest sinks to the classrooms you’re working
in. I would have students collect the
materials in buckets and wash them off
in the bathroom while the remainder of students took care of placing artworks
on the drying racks and cleaning their desks.
When I was in a room without the sinks, I used buckets filled halfway
with water. When clean up was announced,
the blocks, brayers, and pads were placed in the bucket to make the transition
as smooth and tidy as possible.
Plan for lots and
lots of paper to be used. Depending
on the size of your block, plate, stamp or fish, your students will become
addicted to printing as many copies as they can. Even if you limit the amount of prints,
students will still manage to sneak another one in.
Create your classroom
management plan. Even with having a
plan in place throughout the year, you will have a separate set of rules when
it comes to printing procedures. You may
have a table arranged as a “printing station,” but you still need to remind
student not to use one brayer color with another color. One tip you can use would be to create a
separate chart with the rules to help remind students throughout the
project. You can also start off each
class by “quizzing” the students on the printing process to see if they remember
the steps needed!
The art of printmaking comes in many forms and depending on
your teaching situation, you can adapt any printing style into your
classes. As messy as printmaking sounds
you can also work with stamps, rubber plates, vegetables, and toys in creating
many types of prints in your classroom! You
may have some trial and error moments, but you will eventually find what works
best for you.
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