Monday, May 13, 2013

Literacy and Art: Pop Up Books with 1st Grade

Toward the end of the year, I like to have my 1st graders create their own books.  The teachers love the idea, and with little space to hang projects when traveling or on a cart, the teachers have offered to hand the books in their own space to show off the cross-curricular artworks. 


 
                                                                       (front cover)

                                                                            (inside)


This is a 2-day (40 minute period) project.  I start by introducing the book "Tuesday" by David Wiesner.


I explain to the students that books do not always need words to tell the story; the artwork can do the same exact thing.  Together, we describe the story as we see it.  The students always crack up at this page (when the frog is changing the channel using his tongue):


When we finish with the book, I start to explain how the students will create their own storybook.  Here are the materials we use for the project:

-9" x 12" white paper (folded in half, cut a small slit in the middle of the fold to create a talking pop-up mouth, and with over 100 of these to make, I have student helpers)
-9" x 12" colored paper (for book cover)
-4" x 5" white paper (for front cover illustration)
-Pencils
-Black Markers (for tracing art and words)
-Crayons
-Colored Pencils
-Glue

My objectives are to create a pop-up drawing of their favorite animal, create a book cover illustration, and write at least two sentences about their animal that describe what the animal, if it's a boy/girl, and what it's name is.

After reading the book, I show the students how to start the inside drawing of their animal.  I have posters of animals on the board (with the spelling of the words when they write their sentences).  I show the students how to start the animal drawing around the cut-out mouth by drawing a big circle, then adding the animal parts.



When the students finish the animal drawing, they are told to write the two sentences.  I assist their spelling by writing the names of the animals on the board, as well as the two main sentences:

This is my _____________. (fill in blank with animal word)

His/Her name is _____________. (fill in the blank with animal's name)

I encourage students to write an extra sentence or two if they want to describe what the animal does.  With the variety of students learning styles in the classes, I adapt for gifted, ELL, and tiered students.

Once the sentences are written and the animal is drawn, I encourage students to trace in black marker and color in with crayon.

On day two, students finish up with the inside of the book, them bring it to me for a front cover glued on.  If you have students glue the cover on themselves, have them glue an "X" on each side of the fold like this:



After handing me their books, I give them the small 4" x 5" white paper and instruct them to draw a picture of their animal again for the front cover.  Be sure to describe what you want them to draw..if you just say "draw the animal," you will get a stick figure colored in dog with no background.

When the students complete their little cover drawings, they glue it to the cover of the book.  I also instruct them to write the name of their animal as the book title on top, and "By (insert student name) at the bottom because they were the authors and illustrators of their own book.

Yeah, that's right...we talk about the parts of the book they should know about!

1. How the book is opened (you will get students who glue it backwards Eastern style)
2. Who the Author and Illustrator are
3. What a "Title" is
4. Where to put the author's name
5. How drawings and words describe the story

Here are a few finished books!



                                                                      (front cover)

                                                                              (inside)


                                                                      (front cover)

                                                                            (inside)


                                                                       (front cover)

                                                                            (inside)


                                                                         (front cover)


                                                                               (inside)


                                                                        (front cover)

                                                                            (inside)


                                                                       (front cover)

                                                                             (inside)

Sunday, May 12, 2013

From the View of a Mother, Artist, and Educator.



Today is Mother's Day, and like most moms out there, I am enjoying my time with my family.  I'm only able to write this because 1. my amazing husband came home from his late night shift with a decaf iced mocha and his apron on to make a hearty breakfast for the family, then took a hard nap from being awake too long, and 2. My daughter is obsessed with Sofia the First on Disney Jr.

While I was browsing the internet, I came across a nice article written by a teacher and a parent, which you can read for yourself here, called "Being a Parent and a Teacher...an Impossible Combination?"

In the article, the author retells her daily schedule and offers advice for teachers who struggle with the balance of teaching full time and parenting full time.  I commend her for what she does, and as I was reading, she's just the view from the high school teacher perspective.

As an elementary teacher, I can't recall when I've been home before 4:00 on most days.  Since we can't afford day care, my husband and I balance a schedule to make sure our daughter is with one of us most of the time.

I felt compelled to write this post because as teachers, travelers, cart pushers, and caretakers of entire schools, we feel that pressure whether if we are parents or not.  Our schedules do not begin at 8:00am and end at 3:00pm.  Our brain is constantly multi-tasking on work and home.

In my title of this post, I named three main components of who I am in that exact order.  

I am first and foremost a mother, and family should come before career.  I learned that the hard way.

While I was pregnant with my first, I thought I was going to be supermom.  I was the president of the National Art Education Association Student Chapter and a first year teacher traveling to three schools, pushing carts at two of them.  I was proud of what I could do, but once my daughter was born, I didn't realize how much pressure I was putting on my husband.  I was combining my three priorities into one without understanding the consequences.

After completing my presidency, I decided to pursue National Board Certification.  I wanted to refine my teaching practice, and take steps to move toward leadership roles in art education.  I did communicate this process with my husband, but again, with time to write entries, document class time, and travel to mentor meetings, I still had my husband giving extra support.  By the time I completed the certification process, I burnt him out.

This was the time when I had to realize that I had to separate and organize my priorities.  In the article I posted above, the author lists some dos and don't to help balance family time and work time.  I failed miserably with keeping technology out of the picture (and again, I'm writing this while my daughter is watching Disney Jr.).

I put my career before my family, and it had consequences.  It took time to heal, and we are much better now that we worked it out.  I can sit with my daughter making sculptures out of play-doh, show her how to draw people out of shapes (wanting her prepared for kindergarten art next year!) and read stories to her every night.

I am an artist.  I placed it before being an educator because I feel the need to know and understand what it is that you teach.  Before you are a history teacher, you must be a historian.  Before being a math teacher, you must be a mathematician.  I am always learning as an artist, and I enjoy teaching what I have learned.  I want my students to experience the "a-ha" moment like I did when learning a new technique or experimenting with a new material.

I am an educator.  I teach an estimated 800-900 students per week.  An educator may be the top word for my job description, but I am also a therapist, grader, traveler, student, colleague, resident visual artist,and the list goes on.  I not only take care of my own daughter (and very soon a second on the way), but I do my very best to meet the needs of all 800-900 students a week.  Many students are in similar situations as my daughter in our district, because as a low SES area, both parents have to work, or can't afford a car and/or food on the table.  I am one of many teachers in my district that nurture the students, and help them to understand that they are cared for and loved, while teaching them to be well-rounded citizens.

The author of the article above is able to make it home around 4:00 on most days, but in my situation, half the time I do not get home until much later.  We have mandatory meetings, after school activities, assessments, set-ups, musicals, and the list goes on.  I'm sure I'm not the only school district that goes through that.  Oh...and plan time...20 minutes is nothing for an art teacher setting up lessons.

So here's my list of what I recommend for those who travel, push a cart, and are parents as well (or those who need a little organization in their lives).

1. Keep your work at work.  In the article, I understood the first bit of advice right away.  You can easily get lost in your work when you bring it home, plus you can also have milk bottles or crayons covering those student papers if you leave them out.  It's your child's way of saying, "Pay attention to me!!!"  I get to work early in the morning and use that as my plan time.  Prep your projects, go over a checklist of materials on the cart, and try not to forget anything (better said than done sometimes).

2. Keep home at home.  Enjoy your few hours you have in the evening with your kids.  They need you, and will remember if you had your face focused on the computer.  My own daughter turned my cheek toward her to make sure I'm paying attention to her, and she's done that since she was a year old. Yes, she's the reason I'm telling you this.  Keep your kids involved with everything.  Give them little jobs of washing dishes, feeding the animals, cleaning up their rooms and common spaces.  Watch their favorite tv shows.  Read them books.  Do parent things, because they grow up fast.

3.  Don't leave everything on the spouse.  Yeah, you work.  He or she may work too!  And when you're not home, you don't know everything they do to keep the household running in order.  Even if your spouse or partner works the same time as you, share the responsibilities.  Organize what has to be done and it will save you headaches.  Another thing I learned the hard way...Communicate!!!!

4. Keep track of the dates you will be home late from work.  With open houses, art shows, meetings, and evening events you need to attend, pre-plan in advance.  Don't leave that key detail out from your partner or spouse until last minute.  Since my husband works nights, I need to find babysitters so he can sleep.  Don't wait until last minute.

5. Leave your work space ready for the next morning.  Yes, be prepared for things to pop up last minute in the morning, so have your checklist ready before you turn the lights off.  When I have a data team meeting at another school after school hours, I am sometimes late because I need to be prepared.  I'm not the only teacher that does it, we all need to pre-plan for the next day activities!

6. Communicate your meal plans with your partner/spouse.  With our schedules, we can't think about food beyond the next day, and giving examples to you would take up another blog post.  All I have to say is, don't call up asking "What's for dinner?"  Plus, you can very easily get caught up in picking up meals, which can be very costly and unhealthy.  There are days my daughter and I have bowls of cereal for dinner because my husband needs to sleep, and as long as I spend that time with my daughter, I'm not too worried about it.

7.  Understand that messes can't always be cleaned up right away.  Summertime, I feel I have the cleanest house on the block.  During the school year, good luck having the trash taken out on time.  Don't drive yourself crazy trying to be as neat as everyone else.  With both parents working, many of us don't have the time to put the laundry away.  On most days, as long as the food is in the fridge and I'm not tripping on blocks, we're okay.  That's what weekends are for, or Friday nights (depending on your tolerance of messes in the house).

8. "Pin" everything you need for work.  As a traveling art teacher, I find that I forget many things from one school to another, and what's saved me from forgetting my worksheets and tests is Pinterest.  All documents are online, I can get there quickly print it up, and send jobs to the copy machine faster than driving back to my other school.  Speaking of which, once you make your copies, save one copy for a binder in case the internet doesn't work in your district one day.  It happens.

Some things do not work for everybody, but when advice can be given, I'm willing to hear it and share it.  We all have unique situations.   Understand your priorities and hug your children to no end.  They grow up fast before your eyes.

And speaking of which...my daughter is getting my attention!  Happy Mother's Day!!!!



Wednesday, May 8, 2013

Why Do We Need Pacing Guides?




It's been over a week since I created my last post, and I'm going through blog writing withdrawal.  At the end of the school year, it may be time to wind down, but the workload does not get any lighter. 

One of the many reasons why I started slowing down in my posts is because we are a "Rising Star" school district.  "Rising Star" means that we are under review for refinement in our curriculum, environment, and everyday school practices.  As the art representative for our district, I report to the curriculum department whenever the state is in need of evidence of our visual arts practices.

Recently, we were asked by the state to create a month-by-month pacing guide of the art curriculum.  A pacing guide is a document created to show what concepts and standards you are incorporating month by month.  Many districts have adopted pacing guides to keep classrooms on task and ready for ISATS, as well as prerequisite knowledge for the next school year. 

From many conversations I've had with art education colleagues, many art departments have also adapted this method of pacing as well.  It helps to keep all visual art teachers on track to scaffold student knowledge and experience with materials.  Not all school districts require the art department to follow a guide.  If you do not, you have the freedom to choose which lessons to teach in your class, granted they follow any state standard you are required to teach.

In our district, we have four art teachers total:  one stationary elementary teacher (has a room without a sink and no kiln), two traveling art teachers (I have two rooms with sinks, and a kiln at one school, while the other traveller has two rooms with sinks and no kiln), and one junior high art teacher (room, sinks, and kiln).  When we were told to create a month to month pacing guide, we were given a challenge. 

How could we follow month to month when we each have different situations? 

With seeing students once a week for 40 minutes, how can we stay on task when days off, assemblies, and school wide events get in the way???

It's not as if we haven't combined lessons before.  We have made sure in the past to scaffold student learning year by year, so when they reach jr. high, the students are at the same level of learning.  One teacher may focus on the concept of perspective one month, while another visited perspective in a different month since her school was focusing on another theme at the time.

Another challenge was materials.  Not all art teachers have a kiln, and half of us previously pushed a cart froom room to room.  With lack of storage space, we found ways to work with what we had.  When students reach the junior high, my previous students may know the methods of ceramic clay, firing, and glazing, but the elementary students from the other schools may only know air dry clay (and not all elementary teachers work with clay).

With all the challenges presented, we still had to divise a plan, which is currently in the works.

So to share what we have so far, we designed the guide in a table format.  We have a column for the month, standard, concepts, and overall idea of the lesson.  The guide is in progress, but it's a start to show the state that we are working toward refinement.


I apologize for the poor image (I'm writing this at work), we started each grade level guide with a list of the state standards.


This is an example page of our 1st grade pacing guide so far.  This is an in-progress document, so a full document will be posted once finished (and when I figure out how to post a microsoft document into my blog posts, it will look MUCH better).

So if my pacing guide isn't finished...why am I writing about this? 

Every art teacher has a different situation.  Some have guides to follow, others have free reign.  I'm curious to hear what you have.  If you browse passed this post by chance, please take a moment to share what your district does.  It would be nice to gain a perspective on how common or uncommon pacing guides are in the art curriculum.

Monday, April 29, 2013

Community Quilts with 4th Grade


Did I ever mention that Faith Ringgold is one of my favorite artists?  I love the messages in her story quilts: community, heritage, harmony...

Ever since I walked into the Chicago Cultural Center back in 2000 to view her quilt exhibit, I was hooked on her quilts.  I was even a great honor to shake her hand after receiving my bachelor's diploma at my commencement ceremony at the School of the Art Institute of Chicago back in 2001.  And yes, I've met her again since then.

My students think it's cool that I've met a famous artist.  When I show them the picture, they always say, "You met her?  That is so cool!"  or I'll even get, "She's real?"  Yes...I get that.

I like to introduce a project inspired by Faith Ringgold's community quilts around the end of February/beginning of March.  I tie in Black History Month and continue with Women's History Month since this project could take a few weeks.




Before the students know what the project is about, we spend time reading a story written by Faith Ringgold called "How the People Became Color Blind."  The link takes you directly to her website with a story you can print out and read to your class.  After we read the story, the students and I have a discussion about the story, asking questions about how we would feel if the world was all one color.

Here are the materials for the project:

-10.5" x 10.5" white paper, 60lb. (thin paper will rip from the paint)
-12" x 12" color paper (if you frame each picture)
-pencils
-paper plates (my palettes)
-multicultural tempura paints for skin and hair
-tempura paint
-brushes
-water and water bowls
-black markers

When I'm ready to start the project, I go over step by step how to draw the face.  This project is also my main portrait project with 4th grade, so many of them are starting to draw faces for the first time (my district has a high transient rate).  I start with the oval face, then show where to draw the guidelines for the eyes, nose, mouth, and hairline.  The students are always fascinated that their ears start and end on their nose lines too!

Here are two print-outs I found on Pinterest that can be used as guides for the students:



After showing the students how to draw the face and shoulders, I encourage students to draw other details that would define who they are (for example, flags that represent pride and heritage, or drawings that represent what the student likes and cares about).

The point is to have all the students create painting of their individual selves, then combine them together to show our school community.

Day 1 of painting is for the neutrals and flesh tones.  I put out a plate of different peaches, browns, and tans, along with black and white.  I tell the students to paint their face, leaving the eyes open (sometimes the students paint over the eyes!), and to not forget the ears and neck (yeah, that happens too!).  I also encourage students to paint their hair color, and if they have brown eyes.

Day 2 of painting is for the other colors of the rainbow, which can be used for clothing, background, eyes, and jewelry.

Day 3 is for touch ups.  It's a pain trying to carry ALL those colors on a cart or to pour ALL the colors for the students who were absent or behind, but it has to happen.  I normally have a bin for neutrals/flesh tone paints and a bin for the other colors, and I have students carry the bins for me back to the storage room.  Also, don't pour every single color out on the plates, it takes too much time and not every student needs all the colors!  Instead, I have the students at each table tell me what colors they need and I can pour it twice as fast as I would pouring all the colors out.  Many students may be done with painting on this day too, so I have them trace their pictures with black markers.  This helps bring the eyes, noses, and mouths back from painting over them.

Day 4 is for final tracing and display.  You can choose to have each picture framed themselves, or you can display the paintings together as a "quilt" by gluing each block onto a sheet of kraft paper from the big tools.  I also trim strips of colored paper to add a top frame to each project (which protects the paintings from students bumping into the displays on the walls in the hallway).

Here are some close-ups of student projects from past displays!
















Friday, April 26, 2013

A School That Appreciates Art (School-Wide Sculptures for Earth Day)



Today I walked into my second school (I travel to two schools in one day) and was stunned to find out that each classroom had worked together to create their own recycled sculptures for Earth Day.  I was amazed with the work the students had created, and I couldn't help taking pictures of all the awesome sculptures!!!

These were projects made by the classrooms.  The teachers organized the collection of materials, the students designed their own sculptures, and the school organized the display of finished pieces in the hallways.  As the art teacher, I was not asked to do anything.  Was I upset about not being asked to help or get involved?  Heck no.  I was proud of my school.  

That's one of the joys about my schools...they don't expect the art teachers to do all the visual work...they understand that cross-curricular goes both ways.  We always do our best to add in all the other common core subjects into the art curriculum for many reasons: to have a voice, to strengthen our subject, to re-enforce what the students learn in other subjects, and more.  To see the tables turn and view the classrooms bringing art into their lessons, not just the crafty work, but beautiful large sculptures, made me want to cry happy tears.  

To top it off, the school created the display for a good cause.  There are so many ways to celebrate Earth Day, and what better way than to create art from recycled materials?

Wouldn't it be nice to see this in all school districts?

Thank you, Lyle Elementary, for your beautiful artwork.  I was so proud of you, I couldn't help but share your artworks!